Download PDF by Marcelo Fernandez Bitar: 50 años de rock en Argentina

By Marcelo Fernandez Bitar

ISBN-10: 9500754290

ISBN-13: 9789500754293

El rock en los angeles Argentina celebra su cumpleaños número 50 y esta es su historia. Autor de un libro mítico e inconseguible de 1987 (reeditado en 1993 y 1997), Marcelo Fernández Bitar agrega información y testimonios recopilados a lo largo de toda su carrera como periodista especializado, para ofrecer l. a. obra definitiva sobre l. a. música más well known de los angeles Argentina, esa que, como cube Adrián Dárgelos en su prólogo, es capaz de pelearle "el lugar en el airplay al estilo que se esté imponiendo".
Aquí están todos los nombres y todos los hechos, año a año. ¡Y todos los discos! Porque, además de ser un relato cronológico impecable e implacable sobre l. a. construcción de esa enormidad multiforma llamada "rock nacional", incluye los angeles discografía completa de estas cinco décadas. Un ejemplar único y enorme, para recordar, para descubrir y para que el rock jamás baje el volumen. Un clásico remasterizado.

"El rock aquí es todo ese sentido que, como felicidad o angustia, transgrede permanentemente un delgado hilo de los angeles realidad argentina, aun a costa de que al crecer luego uno se sienta como un turista marciano."
Luis Alberto Spinetta (de los angeles Introducción a los angeles primera edición, 1986)

"Este libro intenta registrar l. a. historia de las ediciones y apariciones en escena de los músicos y sus discos, lo que compone al rock nacional. Esta titánica tarea es una edición que conmemora 50 años de rock nacional."
Adrián Dárgelos

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Extra resources for 50 años de rock en Argentina

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The left hand’s job doesn’t end with just fretting, either. It has additional functions, too, when it comes to connecting notes together through slurs (covered in Chapter 10), which it can do without the right hand. The left hand is also responsible for two very important blues guitar techniques: vibrato and string bending (also discussed in Chapter 10). TEAM LinG 17 18 Part I: You Got a Right to Play the Blues The right hand is the engine that drives the sound. All the rhythm and dynamics (loud and soft sound) rests with the right hand, and you can’t play even moderately fast and clean unless you’ve developed your right-hand technique (check out Chapter 5 for more info).

In fact, there are several sub-genres in each. Acoustic guitar includes ߜ Bottleneck or slide guitar ߜ Instrumental blues ߜ Singer-songwriter blues Electric blues has two huge offshoots: TEAM LinG Chapter 1: Every Day I Have the Blues . . Hallelujah! B. King ߜ Blues rock, which was started in the 1960s by British electric guitarists and continues on through Eric Clapton and John Mayer Acoustics and electrics both produce great blues music, as will virtually any other type of guitar, whether it’s an acoustic nylon-string classical or a purple metallic-flake solidbody with green lightning bolts.

Don’t worry, your ears will catch up in time. A tuner is an essential tool — and courtesy — for all who appreciate in-tune music. TEAM LinG 35 36 Part I: You Got a Right to Play the Blues ߜ Tools: Undoubtedly, you’ll need to adjust or fix your guitar from time to time, so you need to gather a toolbox. Chapter 18 tells you just what to put in it. ߜ Amplifier: If you decide to pursue electric blues guitar, you need to have an amplifier and a cord to connect the guitar to it. To help you navigate the amp section of your nearest instrument dealer, I include a whole chapter on choosing amps — flip ahead to Chapter 15 for that information.

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50 años de rock en Argentina by Marcelo Fernandez Bitar


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